Monday, 5 October 2020

Witches Stone Spott East Lothian Scotland

 

The old sign read,

The Witches Stone of Spott.

Marion Lillie, the Ringwoody Witch was burnt here in 1698.

The stone is reputed to stand on the site of the burning of the last witch in the South of Scotland.

Near to this site the Birley Tree stood, under whose branches the local Birley Court was held.”

The Witches Stone is said to mark the spot where Marion Lillie, known as the Rigwoody, or Ringwoodie Witch, was burned at the stake in 1698 and serves to commemorate Marion Lillie and the plight and deaths of many others that were executed for witchcraft. The site outside the current village is thought to have been used as a place of trial, punishment and execution. The term, “Rigwoodie,” is an old Scottish word used to denote someone thin and bony. With many terms involved around the persecution of witchcraft it might be that the term is being recorded in to indicate both an improper sexual allure through magic and to add sexual allure to the telling and retelling of the story. Some authors record that many witches were burnt on the top of, “Spott loan”, in 1705, seven years after the death of Marion Lillie in 1698 which if accurate would reveal that Marion Lillie was not the last witch to be burned in the South of Scotland.

To this day the very harsh nature of times gone by including religious punishment can be seen at Spott kirk. An iron chain and neckbrace, or the 'Jougs' are displayed on the external wall near the kirk door. Contemporary locals keep a tradition of placing a coin on the Witches' Stane when passing so as to avoid bad luck. The now fenced off monument attracts other offerings too. The outcast and the persecuted are better remembered over time and there is a greater acceptance of witchcraft than before whether in the past it was anything like we often now think of it with it being a popular theme in contemporary culture.

It is noted that the area around Spott was notorious for its witch burnings in the seventeenth and eighteenth centuries. East Lothian has been made infamous due well publicised witch trials, with records detailing allegations, trials and convictions around Haddington, Tranent and North Berwick. The Iron Age hill fort on The Chesters, not far to the south west of Spott was also linked to witch burnings. From early drawings it is possible that the current stone is the last survivors of several that were a part of a megalithic monument. The current monument attracts good attention for the right reasons and it serves for commemoration of society being inhumane which is something that we all need to struggle against and to succeed in fighting. To witches and to all that society would seek to silence there is a potential for full re-evaluation unfortunately all too often after terrible costs of life.

PHH Sykes ©2020
phhsykes@gmail.com


Further References

https://canmore.org.uk/event/1088084

Field Visit (25 June 1913)

RCAHMS County Inventory: East Lothian

A rough block of stone about 22 inches across both ways but almost entirely covered with road scrapings, lies at the root of the hedge on the southern side of the road some 3/8 mile south-west of Spott Church and 90 yards north-east of the junction of the road to. Little Spott. This stone is placed near the spot where Marion Lillie the Ringwoodie Witch was burnt. At the western corner of the junction of the road to Little Spott stands the Birley Tree, an ash tree, 12 feet 4 inches in girth 6 feet from the ground, which marks the place where the Birley Courts were held in olden days.

RCAHMS 1924, visited 25 June 1913.


https://canmore.org.uk/collection/1460251

Drawing of the Witches' Stane.

James Drummond

Description Drawing of the Witches' Stane.

Date 1/9/1849

Collection Society of Antiquaries of Scotland

Catalogue Number DP 203322

Category On-line Digital Images

Copy of ELD 177/1

Scope and Content SAS 386 p.77.

Accession Number 1975/12

External Reference SAS 386

Permalink http://canmore.org.uk/collection/1460251


https://canmore.org.uk/event/1087782

Some 500 yards east of the dwelling house on Innerwick Farm and nearly 200 yards south of the public road, in a field called Single Knowes field, is a slightly rising piece of ground known as the Witches Knowe, on which a number of witches are said to have been burnt.

RCAHMS 1924, visited 26 June 1913


https://canmore.org.uk/event/1088085

About 80 years ago, while foundations were being prepared for the old hot-houses in Spott House gardens, the skeletal remains of a number of men with fragments of their accoutrements, including broken swords and buttons, were found, no doubt relics of some of the Covenanters who fell at the battle of Dunbar. All the remains were re-interred in the Kirkyard of Spott, 26 feet from the north-eastern corner of the church and some 5 or 6 feet east of the line of the wall of the church.

RCAHMS 1924, visited 25 June 1913.

Friday, 18 September 2020

Ben Tee with Sròn a' Choire Ghairbh from Loch Garry the Fairy Mountains of God's Nose and Tongue

Ben Tee with Sròn a' Choire Ghairbh from Loch Garry the Fairy Mountains of God's Nose and Tongue 1 of 2

Ben Tee with Sròn a' Choire Ghairbh from Loch Garry the Fairy Mountains of God's Nose and Tongue 2 of 2

Ben Tee with Sròn a' Choire Ghairbh from Loch Garry
the Fairy Mountains of God's Nose and Tongue 

The Fairy Hill of Beinn an t-Sìthidh could be named after the remarkable conical summit that looks like a high altitude spectral meeting ground, or Fairy Mound. The eerie conical shape of Ben Tee's is similar to that of Schiehallion which is also noted as a Fairy Hill. The Nose of the Rough Corrie Sròn a' Choire Ghairbh defines the summit that stands at the edge of the Coire Glas. At the height of 904 metres, 2966 feet, Ben Tee qualifies as a Corbett and as a Marilyn. It is just 10 metres, 33 feet, short of being a Munro. Sròn a’ Choire Ghairbh at 937 metres, 3074 feet, is classified as both a Munro and a Marilyn. The Loch Lochy Munros include the Munro of Hill of the Tongue Meall na Teanga. Altogether they seem to indicate that the proclamations of God might be heard amongst their peaks. All mountains offer a connection with the higher realms and give the beholder a chance to leave society behind when perceiving their lofty prospect.

This superb reflection was cast on the surface of Loch Garry and was visible from the road. The A87 is a road that many take to reach the Isle of Skye. This route from Loch Oich starts at Invergarry and follows the River Garry West and soon runs alongside Loch Garry that held this superb reflection for me to photograph. There are several lay-bys available to park and to take a moment out of your journey in order to record a image featuring the Loch and the mountain scenery. The reflection is so stunning that some drivers overtaken by the view whilst others are busy on their journey trying to overtake those that slowing down to take in the natural spectacle of the mountain scenery spread out across Loch Garry.

PHH Sykes ©2020

Ben Tee with Sròn a' Choire Ghairbh from Loch Garry the Fairy Mountains of God's Nose and Tongue 1 of 2

Ben Tee with Sròn a' Choire Ghairbh from Loch Garry the Fairy Mountains of God's Nose and Tongue 2 of 2

Sunday, 22 March 2020

Fingal's Cave Isle of Staffa

On site the hollows where the sounds have been leaves a great gap that the mind experiences as a peculiar phenomenon of the sea cave. Longer exposure to the sound and absence of ASA, audio sensual activity gives a space in consciousness that creates a place for inspiration. The lasting appeal of natural phenomenon gives us insight to the human experience of contact and connection.

This magnificent natural basalt formation has inspired many minds to form numerous myths some of which have come to us today through folklore.  This opening into the island forms a mouth that sings a sea symphony to those that venture within.  The cave and the whole of Staffa are formed from the fierce fast flowing force of volcanic action and now the tides slowly wash away the structure.

PHH Sykes copyright 2009 2020
phhsykes@gmail.com





Wednesday, 18 March 2020

Self-I-Portrait (only default settings) 000 and Fairytales Text Watermark No Shadow Text

Without the Shadow Text to define the White Letters the image almost loses the initial part of the title, “Self-I-Portrait,” yet, “(only default settings) 000 and Fairytales,” remains easily legible in white without specific shadow created to bring about definition. The loss of, “Self-I-Portrait,” from the image with that text being consumed by light added to the original photographs allows for ideas of the loss of ego into another identity, at least whilst the light effect takes ahold in this representation of the portraits. Something lost is often something gained and always something changed which is almost all that we can hope for.

Yesterday whilst helping transfer Apps and Settings from phone to phone I heard a quiet Fairytale song. Whilst providing New Apps from Old Apps I was struck with an Aladdin themed potential. I took a couple of self portraits with the front facing camera. There was a quick edit made in Google Photos and then I sent these images from the phone via email to myself. From the new images freshly created I attempted to introduce an old style and visual content to bring about a classic look with some Fairytale potential. The old me is busy transforming into the new me and I am taking time to bring about positive transformations as magical as Fairy and listening to the Seasonal Elemental Songs* to make some moments well worthy for a Tale. Winter is releasing the cold grip on me that takes away the memory of the warm days and annihilates the possibilities of comfortable nights. There is a reflection now for me to look on as I reset my Apps and continue to update my Settings and so right now for me again it is principal Pantomime best foot forward with some, “Once Upon A Time,” towards plenty of, “Happily Ever After.”

*Seasonal Elemental Songs are available for all from Spring Cleaning, Midsummer Dreaming** to Harvest Home and Winter Stocking including recognition of the Sun Festivals at the quarters of the year and any celebrations and observances you enjoy in the rhythm of the annual cycle that also includes an introduction of an extra hour here and a reduction of a surplus hour there to save the daylight.

**Midsummer Dreaming is stated here as some prefer not to over encourage Midsummer Madness as mania is strictly reserved throughout the rigours of polite society.

PHHSykes copyright 2020
phhsykes@gmail.com



Monday, 16 March 2020

Self I Portrait (only default settings) 000 and Fairytales

Yesterday whilst helping transfer Apps and Settings from phone to phone I heard a quiet Fairytale song. Whilst providing New Apps from Old Apps I was struck with an Aladdin themed potential. I took a couple of self portraits with the front facing camera. There was a quick edit made in Google Photos and then I sent these images from the phone via email to myself. From the new images freshly created I attempted to introduce an old style and visual content to bring about a classic look with some Fairytale potential. The old me is busy transforming into the new me and I am taking time to bring about positive transformations as magical as Fairy and listening to the Seasonal Elemental Songs* to make some moments well worthy for a Tale. Winter is releasing the cold grip on me that takes away the memory of the warm days and annihilates the possibilities of comfortable nights. There is a reflection now for me to look on as I reset my Apps and continue to update my Settings and so right now for me again it is principal Pantomime best foot forward with some, “Once Upon A Time,” towards plenty of, “Happily Ever After.”

*Seasonal Elemental Songs are available for all from Spring Cleaning, Midsummer Dreaming** to Harvest Home and Winter Stocking including recognition of the Sun Festivals at the quarters of the year and any celebrations and observances you enjoy in the rhythm of the annual cycle that also includes an introduction of an extra hour here and a reduction of a surplus hour there to save the daylight.

**Midsummer Dreaming is stated here as some prefer not to over encourage Midsummer Madness as mania is strictly reserved throughout the rigours of polite society.

PHHSykes copyright 2020


Tuesday, 7 January 2020

Three Barrows With Crows And Solstice Fellows At Stonehenge (over hear, over here)

The flight and return of the crows brings a little erratic natural detail into the scene. One man walks away from camera, another walks across and then there is the man that arrives and departs without indicating his walk on, or revealing his walk off entrance and exit. Even though there is more to this production than meets the eye, there is also not much to it too, at least not in length. The footage was captured at an open event for the Winter Solstice 2019 at Stonehenge. The music and voices were recorded on site with the final words, “Over here.” The title asks if you can, “over hear,” and the production asks you to follow on, “Over here.” Please enjoy the journey if you over hear an invite to over here.

PHH Sykes copyright 2019